Lightworks speed up clip

NAB Show Lightworks Version So much, in fact, that EditShare felt the need to adjust its venerable NLE to attract a new generation of users. Announced last December, the new Lightworks The final product is now available to download and try.
lightworks speed up clip

Lightworks v14 Pro (Software Review)

lightworks speed up clip

Lightworks 14 gives even inexperienced users a fresh, new way to create beautiful videos with ease. How to import video and audio clips Navigating and using essential tools, features, and workspaces Basic editing and special effects Exporting and sharing completed projects Lightworks 14 is available for Mac OS X, Windows, and Linux operating systems.

To get started, simply go to the Lightworks website and follow the instructions for downloading. The frame rate is an important setting to be aware of, because if you select a frame rate and then try to import video clips with a different rate, they may not be usable in your project.

Since 24fps frames per second is fairly standard, go ahead and choose that rate from the drop-down menu. The Log tab features a Project Contents bin on the left half of your window. This is where you import and store various media files, including video, audio, and still images. Just tell me where to send it Get the eBook! Before you can start editing, you need to import some media. If you go to the menu that sits at the top of the Log, then click Local Files, it will show you all the various media files you have stored on your computer.

Once you find a file you want to use in your video, simply double-click on the file thumbnail. This tells you that your file has now been officially imported into your Log.

Now select a few more files to experiment with. Try importing a mixture of video, audio, and still image files so you can play around with the various tools and features Lightworks 14 has to offer. This second panel is the Source Viewer and lets you view the files in your bin. Timeline Your Timeline is essentially a workspace. To add files to your Timeline, all you need to do is find the files you want up in the Project Contents bin, then drag and drop them straight into the Timeline.

One more thing you should know about the Timeline: Each space between two lines is a Track. Each clip has its own track, so the more clips you add, the more lines appear. If you just have a solid stack of image and video clips, one on top of another, only the one at the top will be visible.

The Source Viewer panel lets you cut sections out of video and audio files with just a few easy steps. First, double-click on the file thumbnail in your Project Contents bin so that it appears in the Source Viewer.

You can either click Play and then stop the video when it reaches the place you want the clip to start, or you can click and drag the red marker to the start point.

This tells the program that this specific point is the beginning of a clip. Finally, click the icon that looks like a down arrow inside a box. Now you just type whatever label you prefer into the little box that appears.

You can also add additional blank tracks to your Timeline to make space for more clips. If you decide you want to move a clip to a different spot in the Timeline, like maybe you prefer to have a specific scene appear closer to the end of the video, you just need to click and drag that clip over to the desired spot in the Timeline.

Locking has two functions: For example, when you import a video clip with embedded audio, the video and audio clips will be linked together in the Timeline, so that if you move the video clip around, the audio will get dragged along with it.

To Lock a video clip or track, just go over to the track list, click once on the label for that clip, at it will instantly become locked. And remember: You also have little Undo and Redo arrows down in the bottom-right corner of your Media Viewer, so you have a couple of options for fixing mistakes. One final important thing you need to know about moving clips around the Timeline: If you happen to drag one clip over another, it will delete information from the clip underneath.

For example, perhaps you wanted to add some sound to a video clip, but you accidentally dragged it onto the video clip itself rather than to the clip above. Timeline Clipping Remember how you created a clip using the Source Viewer panel? First, move the red vertical line across a clip until it gets to the beginning of the section you want to cut. You can do this by clicking Play on the Media Viewer, or by simply dragging the red line.

This tool looks like a red arrow pointing upward inside of a box. When you click Remove, it will delete that section and leave a gap in your clip down in the Timeline. This tool looks like two red arrows pointing toward each other inside of a box. Take a little time to play around with these different controls and tools so you can become familiar with how they work.

Depending on where you move the cursor, you might see the brackets appear inside the clip, or outside. The yellow brackets let you trim information away from either end of a clip. For example, maybe you only want to use a section in the middle of a clip for your video, and need to get rid of the extra bits on either end.

Simply hover the cursor until the white brackets appear, then click, and the white should turn yellow. Now just drag to trim. Hover and click to make the yellow brackets appear at the beginning of a clip, then hover and click to make the trimmer appear at the end. Now both ends of the clip should be highlighted with yellow brackets. Making trimmer brackets at both ends of a clip is a simple way to select the precise section of a clip that you need.

Once the adjustment panel opens, you can adjust the percentage to alter the playing speed of the clip. Once you adjust the speed, you can click Play on the media Viewer and see how it looks. Take a few minutes to play with the Color Correction sliders to see how they affect the look of the clip.

Once you find a preset effect that looks nice, just double-click on that effect in the list, and it will instantly appear on your clip over in the Viewer. You can also add specific effects to a Favorites list by clicking the little star at the left edge of each effect in the Effects list. Now you can type any words or symbols you like in the box over in the control panel. If you click the Face tab, you can adjust the color of your text. You also have a Color Picker tool under the Face, which looks like a little eyedropper.

The Color Picker lets you select a specific color from anyplace on your screen simply by clicking on the color. The Position tab lets you move the text around the screen, but you can also just click on the text over in the Viewer and drag it around the screen. This is another excellent opportunity to take a little time to play with the various tabs, tools, and settings so you can get familiar with how they work. Now, when you have a specific clip selected, the effects you choose are added directly to that clip and will stay connected.

You can tell that a clip has embedded effects because each effect will appear as a tiny square in the top-left corner of the clip in the Timeline. You should see nothing but a black screen up in the Viewer. Now select a text effect from the Effects list. Now you can trim and cut the Text clip to any size you like, using the yellow trimmer brackets.

Transitions Transitions are a common tool that editors use to blend scenes. For example, when one scene fades to black, and then the black fades into the next scene. Once you double-click to add the Dissolve effect to your clip, and little panel with a slider bar will appear in the Effects panel. But what you want is for the scene to start out black, and then fade into the action.

What you want is to start at black. To do this, drag the left end of the line all the way to the top to make the clip open as a black screen.

Now drag the right end all the way to the bottom, so that the clip ends with no blackness at all. Next, click on that little point you just made, and drag it all the way down to the bottom of the box. By adjusting and bending that diagonal line and its endpoints, you can adjust when, where, and how quickly the black dissolves in or out. If you want the scene to fade back to black at the end, just add the Dissolve effect to your clip again, and a new box will open with its own diagonal line.

Audio To get started, click the Audio tab at the top of your window. One basic adjustment you can make is the volume. Simply drag the line up to raise the volume, and drag it down to lower the volume.

Audio Fade You can also make audio clips fade in and out using just one simple action. To make the clip fade out, just hover, drag the triangle to the left, and create that diagonal line.

To add an effect to an audio clip, simply double-click the effect in the list, just like you did with the video effects. A sequence can be a single scene or a completed video of connected scenes. By separating scenes into sequences, Lightworks 14 allows you to use scenes as separate units. This means that you could have a finished, edited beach scene, for example, and move that scene around to any place you want it to appear in the final video, or even use different versions of it in multiple places in the video.

Click on Sequences in the menu. Double-click on the new Sequence thumbnail and a fresh, empty Timeline will appear down below. Now you can add some new media files and start building a new scene. By giving each sequence its own Timeline, Lightworks 14 allows users to keep various sequences separate from one another, so that they can work on just one piece at a time.

Some editing programs have you keep every single sound, video, and image file all in the same Timeline, and it can get messy and confusing really easily. But by giving each sequence its own Timeline, this program helps you stay much more organized. Now drag and drop your Sequence 1 into the new Sequence Timeline.

Once you have all of your sequences completed, you can combine them into a single Timeline, and now you have a finished video! To begin exporting, click on the Sequence thumbnail in your Sequences bin to select it. Now go down and right-click inside the Timeline space, in a spot where there are no clips.

To keep things easy, go ahead and choose YouTube. As a side note:

Can’t speed up my videos past 400% anymore?

Be amazing right? Well with Lightworks you can edit like a pro and unleash your creative potential for all to see. Highlights For over 25 years Lightworks editor has been at the forefront of film editing, having been used on many of the finest films in cinema history:

VIDEO: Lightworks Speed Up Clip

Customizable Interface: Whether applying the predefined keyboard shortcuts to your liking (Avid, FCP) or creating macros to speed up your workflow, Lightworks . Lightworks has the widest native format support available in any professional FCP) or creating Macros to speed up your workflow, Lightworks allows quick and .

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